当代重要的水墨艺术家彭康隆（1962年生于中国台湾），将在广东美术馆白鹅潭馆区，呈现其迄今为止最大规模的机构个展“山花迷人眼”，全面梳理其独创融合山水与花卉两种题材的当代演绎。展览由广东美术馆主办，墨斋协办，广东美术馆馆长王绍强任总策划，中国美术馆研究员邓锋担纲策展。展出近90幅珍品，时代跨度25年，其中多件超长手卷、巨幅画作与特制屏风等精彩亮相！“迷”是此次展览的题眼。彭康隆以缠绕、积叠、漂浮、满密的笔墨线质，别具一格地将山水与花卉交织构成，逼人眼目，撩人情绪。山水与花卉的空间节奏起伏，引人入胜。其笔墨呼应其个性，率性直接，充满动势，随机生发。其设色、墨韵与粗麻纸质的相互碰撞，营造出超载的逼人感与吸入感。学者赖毓芝对彭康隆的创作给予高度评价：“此种具有矛盾、转换、变形的空间与造型，以及与极具表现主义特质的线条并置，使得彭康隆早先已发展出的风格与母题，进一步转化为一种能够随时有机变形的存在形式。而这种自由的向度，也许正是彭康隆历经20年、透过对惯习的持续解构与内化后所达成的一种松动与解放。”

The Guangdong Museum of Art will present Peng Kanglong: Beguiling the Eye， the largest solo exhibition to date by the acclaimed contemporary ink artist Peng Kanglong (b. 1962， Hualien， Taiwan). Held at the museum‘s Baietan Venue， the exhibition brings together nearly 90 works spanning twenty-five years of Peng‘s artistic career， offering audiences an immersive visual experience that traces his integration of landscape and flower painting into a singular contemporary idiom. Organized by the Guangdong Museum of Art， with support from INKstudio， the exhibition is led by Wang Shaoqiang， the museum‘s director， and curated by Deng Feng， research fellow at the National Art Museum of China.

The word mi (迷)， meaning “bewilder” or “fascinate，” serves as the conceptual key to the exhibition. Through swirling， layered， floating， and densely woven brushwork， Peng fuses landscapes and flowers into rhythmically charged compositions that captivate the eye and stir emotion. His brushwork reflects his temperament—spontaneous， direct， and brimming with dynamic energy—unfolding intuitively across the paper. The interplay of ink， color， and coarse hemp paper generates a palpable sense of tension and immersive allure.

Scholar Lai Yu-chih has written of Peng’s practice: “This spatiality and figuration—marked by contradiction， transformation， and metamorphosis—and their juxtaposition with lines of distinctly Expressionist character have further transformed the motifs and styles Peng Kanglong had previously developed into a mode of existence capable of organic mutation at any moment. This dimension of freedom may well be the loosening and release that can only be attained after two decades of persistently deconstructing conventions and fully internalizing them.”

彭康隆 Peng Kanglong

须弥之山 Mount Sumeru

纸本水墨设色  Ink and color on paper

144cm × 144cm

2022

彭康隆 Peng Kanglong

山水清音 Voiceless Landscape

纸本水墨设色  Ink and color on paper

147cm × 243cm

2022

彭康隆 Peng Kanglong

烁金 Scintillation

纸本水墨设色  Ink and color on paper

367cm × 146cm

2024

彭康隆 Peng Kanglong

花木掇石 Vegetation onto Rocks

纸本水墨设色  Ink and color on paper

714cm × 89cm

2014

彭康隆 Peng Kanglong

山花浪漫时 Mountain Flower Romance

纸本水墨设色  Ink and color on paper

367cm × 146cm

2023

彭康隆Peng Kanglong

恶之华 二之二  Flowers of Evil 2-2

纸本水墨设色 Ink and color on paper

141cm × 70.5cm

2022

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